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Urban movies continue to expand in attraction. This can be seen in the expanding direct to video market where metropolitan movies reign supreme. The rising quality of independent city movies has made them much more attractive to DVD customers.

Some talented movie directors behind this metropolitan motion are Charles Dutton, Damon Dash, Sid Kali, Media hype Williams, John Singleton, Dale Stelly, Mike O'Dea and Quentin Tarantino.

The variety of the metropolitan genre continues to expand since the storylines are connecting with a larger audience by exceeding what you would anticipate to see in a metropolitan movie. Filmmakers are pushing the complexity and general appearance of the metropolitan category to brand-new levels.

Discovering the city landscape and society produces entertaining films that supply viewers a look into a slice of americana they might not otherwise experience. Collaborating with dedicated individuals that work in front of the camera and behind the scenes to create quality city movies has actually constantly been a life goal of Director Sid Kali.

Sid Kali made his directorial debut with the urban attribute "Consignment". The spirit of independent filmmaking came together. We felt "Consignment" was finest served highlighting a Latino and Black point of view of the events that were going to unfold in the film.

The plot focuses around a Virginia Beach drug dealer that runs into problem and needs to lay low in Southern California. This being the movies all the problems that include power, drug money, quick women, and jealous competitors needs to come out. It was nice to be able to mix in the subtle cultural differences between the two places.

This West Coastline and East Coastline mix exercised because Co-Producer and Editor Tim Beachum had lived in Ohio, Detroit, and Virginia Beach throughout his years. While Sid Kali has actually just resided in Southern California his entire life. By collaborating they were able to blend these impacts together. "Consignment" is being released on DVD November 2007 by Maverick Entertainment Team, Inc. Support independent film and add this feature to your DVD collection.

A vital part of making a metropolitan movie is keeping it authentic. At the independent level finances are tighter, so it helps if you write a script that has elements you can realistically convert from the page to the display. The basic idea is to create a script that you can shoot utilizing your resources. The cool thing with city movies are they lend themselves to lots of even more backgrounds than before.

It utilized to be when you attached the word urban to a movie the story had to happen in the inner city. That's changing as urban society and design is moving past those pervious limits. This creates an interesting time to shoot city movies.

The word "crime drama" is used to describe films like "Training Day", "The Departed", "Heat" and 'Scarface'. To some movie buffs these are urban masterpieces done by highly talented and appreciated filmmakers at the top of their imaginative game. This shows the assortment of the city category.

After the experience of shooting "Consignment". Slice Of Americana Films wished to broaden their take on the metropolitan category with "In With Thieves". This urban movie combines a distinct blend of creative aspects.

"In With Crooks" includes a Cuban cartel that practices their very own variation of Santeria, an African based crime team that deals in blood diamonds, callous Albanian gangsters, and an American theft staff that is Latino, Black, and Irish.

This unique blend of imaginative and visual elements we felt would produce a provocative metropolitan movie. The motivation was to reveal that urban tales could have international influences.

Job criminal Jack McGee (Tony Napoli) is out of prison facing difficult times. His trophy spouse Karen (Jennifer Day) spent all the cash they had stashed away and discovered time to fall for yet another man. Max (Edward Gusts) his enthusiast brother-in-law, made opponents with the Albanian Mafia leaving Jack to hold the bag on a huge personal debt. The release date for Jack insn't a surprise to anybody who runs in criminal circles. Previous gang member turned burglar Hector Garcia (Walter Pagan) and street huslter Frank Washington (Jerome A. Hawkins) are his partners in crime. When Jack was running the burglary team they were flush with money. After he went inside the scores dried up. Now it's time for them to reconnect and return to work.

Anton (Jayson Matthews) an intelligent and vicious Albanian employer, has his relied on solider Vicktor (Marek Matousek) carry out a brutal act of violence to send a message to Jack. The message is clear to Jack. Pay the debt or every person close to him will be murdered. Over friendly welcome house drinks Jack asks Hector and Frank to come through on the money he should pay Anton. They both refuse his request turning the reunion bitter and bringing some old wounds to the area.

Karen halfway walks back into Jack's life pushing him into a frenzied mix of outrage, confusion, and dark alcohol sustained ideas. She's still included with the other man. Adding to his complications is a gunpoint reminder that he has a short time to pay his debt or Karen will certainly be wiped out. Pressed he hooks back up with Hector and Frank to steal the money he has to pay Anton. They come up short.

He falls into a heated sexual affair with contract killer Rita Desouza (Arnita Champion) to numbed his discomfort. Sex turns to conspiracy when she sets out a strategy to have her spouse ripped-off throughout a 5 million dollar diamond deal. Her partner is ruthless Cuban kingpin David Desouza (Art Parga). He's heavily into his own variation of Santeria and the blood diamond market. He relies on Rita and his most bloodthirsty enforcer Voodoo (Jesse James Youngblood) took keep people in line.

Jack brings in Hector and Frank to help him pull off the theft. From time on his personal debt he's forced to let Anton in on the job for a large cut of the take. They crash in on illegal blood diamond deal between a Cuban cartel and an African based crime syndicate headed by an ambitious upstart known as Omar (Keion Adams).

The rip-off appears into deadly violence. This triggers a frenzy of double-crosses and brazen executions that lace every person in a bloody conflict that plays out to an explosive ending. Friendship, loyalty, and love run short in a globe of greed.

The trailer can be seen on YouTube.Com, Yahoo Videos, Google Videos, AtomFilms.Com, and iFilm.Com

"In With Crooks" is in the final stages of post-production and is being represented to interested distributors by Mark Steven Bosko the writer of "The Complete Independent Movie Advertising Guide". A have to review for independent filmmakers that prefer functional help on the company. While filmmaking is an art you must be prepared for the extreme truths of the business side. All filmmakers take lumps showing up through the game.

Urban movies will certainly continue to rise as gifted filmmakers show their passion for making movies with an independent heart. Slice Of Americana Movies has started pre-production for their 3rd metropolitan movie titled "Stash Spot". Rival criminals fight to find a fortune in money ripped-off during a medication deal decayed. When the stick-up artists responsible turn up dead, a bloodbath appears as each vicious criminal makes their callous play to locate the cash.

You constantly discover things with each movie you produce. With any luck filmmakers will certainly continue to push the urban category past what it is now.

\* Quick and dirty tips if you're going to produce your very own urban movie:
(\* does not apply to filmmakers that have Hollywood hookups or access to big money)

Avoid writing an incredible scene like the shoot-out in 'Heat' if you cannot pull it off.

Compose realistic locations into your script that you have shooting access to.

Action scenes are always going to take longer to light and shoot than chatting head scenes.

Make sure your dialogue is authentic to the culture of the street. If you're composing your own script the right words will cost you absolutely nothing.

Wardrobe cannot make Corey Feldman (nothing against The Corey) a Latino gangster by having him use a bandanna and a flannel shirt buttoned only at the top. You see that type of fake wardrobe in some actually bad metropolitan movies.
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